The National Japanese American Historical Society (NJAHS), founded in 1980, incorporated in 1981 is a non-profit membership organization is dedicated to the collection, preservation, authentic interpretation, and sharing of historical information of the Japanese American experience for the diverse broader national and global community.
Monday, August 12, 2013
Movie Week with Lina Hoshino
In Week 5 of the internship, a filmmaker named Lina Hoshino came to the NJAHS office buildng to work with us interns on making a mini movie. The previous week we were told to write a rough draft of our script and collect photos that we may want to use. Since I didn't read the instructions carefully enough, I just went on the Internet and looked for photos. Then at about 9:00 p.m. on the day before we were supposed to begin the movie workshop, I realized that I wasn't allowed to use Internet photos unless they were uncopyrighted...which they weren't. This resulted in a mad scramble to find and take as many pictures as I could the night before, but there weren't many photos to be found.
On the first day of the workshop, we shared our scripts out loud, which was not something I wanted to do. My script had no central theme, it wasn't worded that well, and I thought it was too personal. Just as I expected, the advice the other interns and Lina gave me included establishing a main idea for my script. Lina gave us time right after to edit our writing, and during that time I shifted the theme of my story. I discussed my script with her in private and made more changes, and then I brought it back to her. She approved it.
The next day I had more pictures, except most of them were all photos of nature. I learned to scan them and then I transferred them into my computer. I went upstairs and recorded my script about twenty-five times. During that hour I kept tampering with the script, which was one of the reasons why it took so long. Then I listened to the recordings on the laptop and picked out the best versions of my voice, since I had recorded the whole thing in paragraphs. I started working in Final Cut Express, a movie-making app, where Lina showed us how to insert our voiceovers and add pictures. I edited the voiceover by cutting out a lot of parts and making sure everything transitioned smoothly.
The hardest part of this movie project was the pictures. Finding them, transferring them, adding them, and editing them. In the beginning, when I was inserting pictures for the first time, most of them were logos or objects or nature views. I didn't have enough photos of myself or other people. When Lina saw the rough draft of the movie, she said I needed more pictures of people and that I should include less photos overall so the audience could focus on what I was saying. I took her advice, and I ended up making the movie a whole lot better. I emailed my mother asking for any kinds of family photos or pictures of friends and she sent a boatload within the next ten minutes.
The second most difficult stage was the transitions and special effects. Adding the transitions was a pain because 1) I didn't know what they were, and 2) Every time I added a transition between two clips I had to "render" everything, which was time-consuming. Also, creating the photo effects was very confusing at first. Lina explained to me how to do them but I was still baffled. However, the next day, I figured it all out using my common sense. The results, though they took forever to get, made the screen look like it was shifting during each photo.
The final step was the inclusion of the title and credits, which I had put off because I wasn't sure if they were mandatory. Both were pretty easy to create, and I had fun with the title especially. I'm actually really happy with how my project turned out, because it expresses an important part of me without making it too personal and awkward. There were some minor issues with my voiceover and the transitions could have been smoother, but it is a story that I wouldn't mind sharing with my friends and family. Instead of a few days, the making of the movie actually stretched to almost a week, but that extra time made the movie that much better.
Movie Week with Lina Hoshino
This week of making my own short film with film maker, Lina Hoshino really taught me a lot in the process of filming.
After Lina arrived at NJAHS, she asked me to read a rough draft of my narrative and her feedback was really helpful to help me write a better narrative.
Since she had gone over some steps which I was familiar with making a film, such as writing a script and having photos being already online available to use; I thought that editing the film would be a no brainer, but I thought wrong.
Learning how to make and edit a film on a software that was entirely new to me was different. If it had not been for Lina, my film would of been a wreck. Not only did I learn how to cut, shorten, and lengthen clips, but I learned volume control over voices, where transitions go and how to add them, how to make an image appear bigger on the screen, and how to add background music.
Too many complexities came along with making a perfect film and looking back to my childhood, I never did think that much of the process of film making when I was little. I used to think that they would record the video and then just add in captions with transitions. But now I have a new perspective to think about for the filming industry and I would not have of gained this if someone hadn't bothered to help me along the way.
A couple hours until I was finished with my narrative and I was excited towards finishing it first. Never did it occur to me that a 3 minute film could take 2 days to make and edit, and a couple of hours to publish on the Internet. I am extremely glad that Lina had helped me make such a short film in such a quick amount of time.
Thank you Lina Hoshino for helping me create a film for my narrative and I never would have never been able to do it without you! I will surely use this as an advantage during the upcoming school years, especially if I ever have a project involved with Final Cut, I will now know how to use it!
$20 a day in Japantown
I thought spending $20 in Japantown for one day for the 5 of us ninterns could not be enough. But I was wrong.
If you did not know, $20 a day is a project where we NJAHS Interns go to Japantown with only $20 to spend for one day and we film the whole day.
After we had finished going to all the stores we needed to go to, I was tired and thinking that the day had been fun without spending the full $20. We had bought mochi, chopsticks, tokens to play in Playland Japan, washi paper, a cat sauce bowl, a black notebook, and a red bean taiyaki.
Re-watching all the footage we shot really did make the editing of this project take forever. I have never been in a situation where I tried to adjust the volume of our voices so many times to fit it with the background music, not be able to add in any transitions, have a hard time with speeding up or slowing down videos, and adding captions.
In all, I think the 5 of us did a pretty good job shopping in Japantown with only $20; we didn't even spend it all!
$20 a Day in Japantown
For the project called $20 a Day, we interns were given $20 altogether to spend however we wanted in Japantown. We could go to any stores and select anything we wanted to buy, just as long as the total cost added up to $20 or less. Later we would go back to the "chosen" stores and film ourselves to make a mini movie, which would be posted on Youtube. The video would advise people who have never been to Japantown on what they could do with just $20.
We started out by just walking around Japantown. We visited various stores and shops like Ichiban Kan, Daiso, Playland Japan, etc. In each store we picked one item out that we would like to buy and wrote it down on a list. We made sure the total cost added up to around $20, or at least close to that amount. Afterwards, we used the list to write a script for the movie. Stores were assigned to different people, and the people assigned certain stores wrote his/her own parts. The order of the stores were switched up so that the stores closest to each other were in succession. Each section of the script was only a few sentences long. We included general information for each store, what we were planning to buy, and the cost.
When the script was almost finished, I was taught how to use a big, complex video recorder. I had to film two of the interns and their sections because they were not coming back to the internship after that week. Before we filmed inside every store, we had to ask permission, which could take a while. I filmed Ichiban Kan, Playland Japan, May's Coffee Shop, and the "goodbye" scene in Buchanan Mall. I liked holding the video recorder because it made me feel like a professional. When I was filming, though, it got very heavy and my arm started to ache.
After the script was completely done, I showed one of the interns how to use the video recorder because she would be filming me. Then we went outside and shot Daiso, Soko Hardware, Sanko, Paper Tree, and Benkyodo. Originally we were going to do Nijiya Market instead of Soko Hardware, but the manager saw our machine and didn't let us film. He probably thought it was going to be on TV or something, even though we said it was just for a project. In the end, we ended up buying a black notebook, cat sauce bowl, chopsticks, washi paper, and mochi that day. I kept the notebook because it was cool, and it certainly didn't look like it cost only $1.50.
An intern and I started working on the movie in Final Cut Express, which took about two days. We trimmed the clips and added transitions, music, titles and credits. For the clips in which people moved too slow, we sped them up. Sometimes the program didn't cooperate with us on the transitions and speeding up of the clips, and I got frustrated. However, in the end the movie turned out good. I especially like the music that plays throughout the seven minutes of the movie, because it gives it an upbeat tone that the movie was lacking before. In conclusion, I think the point of this project was to show that $20 can take you all across Japantown, as long as you know where and how to use it.
Wednesday, July 18, 2012
Summer 2012
My name is Paul and I am a summer intern for NJAHS in 2012. I graduated from Castro Valley High School in June, and plan on attending college in mid August. When I first got to NJAHS, I wasn't sure what to expect. It was to my surprise that I would get to meet some great guys. I was able to put on a multicultural youth concert, give walking tours of Japan Town, and even spend less than $20 in a whole day at Japan Town. I've been able to have fun exploring around Japan Town, and learn about Japanese American history as well. I certainly hope more students continue to participate in this program in the future because it's very rewarding.
Friday, June 1, 2012
Critique on Viewing of Secrets Revealed: The Presidio Project - Ken Kaji, 6/1/2012
A Critique on Viewing of Secrets Revealed: The Presidio Project
An interactive kiosk a the Visitors Center, Presidio of San Francisco
By Ken Kaji, 6/1/2012
The Exhibit Experience The kiosk with the secrets visual monitor display was physically adjacent to a connecting space showing a separate video (continuously running) on the various visitor’s attractions located in the Presidio Trust. The story of the First Class of the MIS as part of this history of secrets was deliberately ‘tagged’ as part of the kiosk display.
The Viewing Audience We ( early attendees) who approached the secrets kiosk were few in number. It is assumed that under normal conditions, the number of viewers may come in small groups or attend as part of a larger visiting group , i.e. a class or workshop. At any rate, the kiosk is designed to handle at most several individuals at a time. Our viewing experience evoked the following critique, that were put down on paper when our experience in viewing had time to sink in. Here are some of our thoughts:
Kiosk Design The kiosk itself, the large family photo, taken by Dorthea Lange, is stunningly beautiful. The photo mural, roughly 7ft. x 7 ft. captures the mood of the pensive and emotional feelings surrounding the whole aspect of the Japanese evacuation from the West Coast. The background color highlights the prevailing mood by its Corten red steel hue which emphasizes
the feel of forced imprisonment.
Construction The photomural panel is supported by a frame that is held upright and anchored onto a heavy concrete base that also supports a shelf rack with its electrical connections to the magnetic chips embedded into ‘cards’ that simulate the rectangular prisoner I.D. name tags that were placed around each and every internee during their evacuation.
Neckpiece as coder By placing the collection of oral histories into a chip inside the I.D. plates and covering it on the back side with an identifying photo and other information, the interview recording, audio and visual, can be transmitted on the monitor screen that is placed in the photo mural. The viewer selects one of six plates, and places it flat on a blank space that will trigger the transmission. Furthermore, the sound is deployed in a manner in which the voice seems to be coming from the screen image toward the viewer which contributes to its realism.
Interactive Viewer Experience The concept is that by having the individual viewer go through this ‘hands-on’ selection process by taking the I.D. neckpiece and making it ‘come alive’ – so to speak – and through that process, that it makes past history more meaningful and more personal.
Issues of Controls/Experience
An interactive kiosk a the Visitors Center, Presidio of San Francisco
By Ken Kaji, 6/1/2012
The Exhibit Experience The kiosk with the secrets visual monitor display was physically adjacent to a connecting space showing a separate video (continuously running) on the various visitor’s attractions located in the Presidio Trust. The story of the First Class of the MIS as part of this history of secrets was deliberately ‘tagged’ as part of the kiosk display.
The Viewing Audience We ( early attendees) who approached the secrets kiosk were few in number. It is assumed that under normal conditions, the number of viewers may come in small groups or attend as part of a larger visiting group , i.e. a class or workshop. At any rate, the kiosk is designed to handle at most several individuals at a time. Our viewing experience evoked the following critique, that were put down on paper when our experience in viewing had time to sink in. Here are some of our thoughts:
Kiosk Design The kiosk itself, the large family photo, taken by Dorthea Lange, is stunningly beautiful. The photo mural, roughly 7ft. x 7 ft. captures the mood of the pensive and emotional feelings surrounding the whole aspect of the Japanese evacuation from the West Coast. The background color highlights the prevailing mood by its Corten red steel hue which emphasizes
the feel of forced imprisonment.
Construction The photomural panel is supported by a frame that is held upright and anchored onto a heavy concrete base that also supports a shelf rack with its electrical connections to the magnetic chips embedded into ‘cards’ that simulate the rectangular prisoner I.D. name tags that were placed around each and every internee during their evacuation.
Neckpiece as coder By placing the collection of oral histories into a chip inside the I.D. plates and covering it on the back side with an identifying photo and other information, the interview recording, audio and visual, can be transmitted on the monitor screen that is placed in the photo mural. The viewer selects one of six plates, and places it flat on a blank space that will trigger the transmission. Furthermore, the sound is deployed in a manner in which the voice seems to be coming from the screen image toward the viewer which contributes to its realism.
Interactive Viewer Experience The concept is that by having the individual viewer go through this ‘hands-on’ selection process by taking the I.D. neckpiece and making it ‘come alive’ – so to speak – and through that process, that it makes past history more meaningful and more personal.
Issues of Controls/Experience
- Densho, (the education-based, computer interactive program on JA oral histories) keeps its selection totally electronic. Selection through sorting through a list of names, or a photo data base, simplifies the viewer interactive process.
- The kiosk concept could eventually be transferred to the internet format for selection.
But
the idea is that a ‘hands-on’ experience of interactive viewing can be
done this way is questionable. It is a trade-off. Today’s and future
class room children may prefer ‘physically’ turning dials and
personally monitoring outcomes of what they want to hear and view.
- If the kiosk is used, it probably will used effectively only when site specific. It will not be easily transportable either on-site from on position to another as well as to other sites.
- Pre-load the rack if wooden name tags are used, and have someone monitor kiosk usage to prevent loss of the expensive tags. If future name tags can be created, then they can be made inexpensively so the loss of such chips is no longer an issue. But cheaper paper electronic tags also move away for the reality of the original wooden neck I.D. tags.
- In the future MIS Historic Learning Center, the Secrets Revealed kiosk will be separate from the MIS story that will proceed it in the viewing sequence of the permanent exhibit, so the MIS story will not have to be part of the ‘secrets revaled’ kiosk display.
Wednesday, April 4, 2012
Scanning Isago Tanaka's Photo's - My Last Day - Terry Wong
I have finally completed my primary internship task, which is to scan
photos artifacts by Isago Tanaka. I feel a sense of accomplishment and
relief. Some of the photos I scanned today have American Indians in
them, appearing to protest against cheap land sales. Land was made a
commodity since the arrival of Europeans to America. Asian American
studies often mention about the Alien land law and various issues
related to the ownership of land in America for minority groups. Indeed,
similar to American Indians, Asian Americans' land ownership rights
were limited and deprecated. I feel that these pictures are evidence
that the ongoing struggles for justice and equity in Law for Asian
Americans are imperative for us and our children. Because we have to
fight for equality for us to have proper consolidated ownership of land
and properties in order to raise our offspring and make sure their
future is bright and fair.
- Terry Wong
- Terry Wong
Wednesday, March 28, 2012
Beauty Pageant - Terry Wong
After I finished scanning the photos today, I realized I came across
some interesting candid pictures that are related to the textbook called
"True Beauty" that I am reading for my Asian American Study class.
These pictures show beautiful Japanese girls shown to be in a beauty
pageant of a sort. Some of them actually have banners across their
shoulder to waist stating "Miss Cherry Blossom", "Miss Japan Town",
representing that they have already won titles or awards. Besides the
appreciation for their outward appearance of beauty, I also appreciated
the racial dynamics the beauty pageants demonstrated. Asian Americans
hosting events such as beauty pageants help promote a racially diverse
judgment on beauty. People of all ethnicity can praise the Asian beauty
these congenial ladies carry, as well as to embrace it in a larger
community. The Miss USA title shouldn't condescendingly link to one's
racial background after all. We should focus our community events on a
pan-ethnic cultural background for major national events.
Terry
Terry
Wednesday, March 7, 2012
Finished My Task - Terry Wong
Just finished my task at NJAHS today. I scanned photos for an event
related to a protest of the bombing of Hiroshima in August, 1985. The
photos I scanned contain people holding banners saying, "No More
Hiroshima!". People look emotional in those pictures and they look
determined to get their message across. One of the pictures has a post
board with a child who'd been affected by the nuclear weapon. He's shown
to be in dire straits and have loss of hair. Once again, I feel a deep
sorrow and sympathy at my heart. People shouldn't be like this. I detest
wars that bring illness and destruction to innocent people. I seek the
day when we no longer need catastrophic weapons of mass annihilation,
for the reason that these weapons are destroying our living
environments.
- Terry Wong
- Terry Wong
Wednesday, February 29, 2012
A Fun Day Scanning Photos Taken by Isago Tanaka - Terry Wong
I had a fun day scanning historically significant picture-artifacts
dating as far back as during the WWII taken by photographer Isago Isao
Tanaka. The pictures in the particular album I scanned vividly
represented the strong cultural roots of the Japanese in Americaa back
in the past. People were celebrating the "Bon Odori" commemoration in
the pictures I scanned. I assumed that it is a Japanese holiday event
that consists of parades, carnivals and playing cultural musical
instruments. Occasionally, there's a "Hakujin" in kimono in one of those
pictures. This shows the harmonious period that these pictures were
taken in, as opposed to the war period. Japanese American people were
having a blast while enjoying the peace and harmony. These pictures
should be preserved for its presented happiness that we as social
justice workers strive for.
- Terry Wong
NJAHS volunteer intern
- Terry Wong
NJAHS volunteer intern
Tuesday, February 7, 2012
Internship at NJAHS - Mika
I have been doing internship at NJAHS for about three months.
Before I came here, I was very nervous because I had never had working experience here in America but I have learned a lot of things more than I expected.
First of all, all the works they gave me were very challenging especially transcription and reformatting. They were the most difficult tasks. I think that's because no body had done that before so I was the first one to find the way to finish. I could manage to do it because other people in NJAHS helped me a lot and they always asked me to how it is going so I felt comfortable to ask them whenever I had questions. They really helped me a lot. I appreciate that very much. When I did transcription, they were mostly about the world war so I could learn how they had life at that time in America and how they survived. Some stories about the camps were very sad but still, I was impressed by how they were strong and managed to have life here in America. It was really interesting for me as a student from Japan.
I still have a lots of things to do before I leave but I feel confident to finish all of them. It is the great place to intern because I could experience like real office work at the company or even more and also I can challenge myself in this organization. I am sure I will make use of these experiences for my future. Thank you so much.
Mika
Before I came here, I was very nervous because I had never had working experience here in America but I have learned a lot of things more than I expected.
First of all, all the works they gave me were very challenging especially transcription and reformatting. They were the most difficult tasks. I think that's because no body had done that before so I was the first one to find the way to finish. I could manage to do it because other people in NJAHS helped me a lot and they always asked me to how it is going so I felt comfortable to ask them whenever I had questions. They really helped me a lot. I appreciate that very much. When I did transcription, they were mostly about the world war so I could learn how they had life at that time in America and how they survived. Some stories about the camps were very sad but still, I was impressed by how they were strong and managed to have life here in America. It was really interesting for me as a student from Japan.
I still have a lots of things to do before I leave but I feel confident to finish all of them. It is the great place to intern because I could experience like real office work at the company or even more and also I can challenge myself in this organization. I am sure I will make use of these experiences for my future. Thank you so much.
Mika
Friday, September 9, 2011
I learned three things during my internship.
First, Planning carefully before I start to work on a project.
Second, We should listen and stay true to our supervisor directions, But still have our own creative vision.
Third, Make people happy.
Those ideas will be extremely useful in my career, I think. I also realized one more important idea which is to always be thankful to the people I work with.
At NJAHS, I met many people who have shown me kindness they were always helpful to me. In the beginning, I couldn't communicate well with NJAHS staff because of my poor English skills. But even when I can't express my idea in English they tried to understand and helped me so that I was able to express my thoughts, feelings and ideas. So, I appreciate them for all their help. It is just too great to describe in words.
I'm happy that I go to work and build relationships with NJAHS staff and coming to the U.S.
I'll be back to SF and NJAHS one day !!!
Tsuyoshi Inoue -Intern from Japan-
First, Planning carefully before I start to work on a project.
Second, We should listen and stay true to our supervisor directions, But still have our own creative vision.
Third, Make people happy.
Those ideas will be extremely useful in my career, I think. I also realized one more important idea which is to always be thankful to the people I work with.
At NJAHS, I met many people who have shown me kindness they were always helpful to me. In the beginning, I couldn't communicate well with NJAHS staff because of my poor English skills. But even when I can't express my idea in English they tried to understand and helped me so that I was able to express my thoughts, feelings and ideas. So, I appreciate them for all their help. It is just too great to describe in words.
I'm happy that I go to work and build relationships with NJAHS staff and coming to the U.S.
I'll be back to SF and NJAHS one day !!!
Tsuyoshi Inoue -Intern from Japan-
I did an internship at NJAHS for five weeks. Before coming here, I
was not excited enough to do internship at NPO because my hope was to do
internship at business company. However, this internship gave me lots
of challenging tasks, which made my internship more satisfying.
The most interesting and toughest task I did was creating a presentation at university. I learned about how to make presentations at my university in Japan though this was my first time to make presentation in front of native english speakers. I tried to think about what they will be interested in through our presentation to make sure they will listen to it. When we did our presentation, most of the audience listened intently. Also I was able to make them laugh during my presentation. I was really satisfied with the results.
During internship here, the most interesting and meaningful things that I learned was human relationship. Based on my friend's story, when you work at business situation, most of your task will be based on computer. However, at NPO, our work will be fundamentally based on human relationships. I had lots of opportunities to talk with many diverse people, for example, professor, university students, photographer and senior citizen. I found it really interesting to communicate with people and I hope I can get a job where I can meet many kinds of people.
In the end, I can definitely say this internship influenced my future career. I would like to say thank you to all the people who helped me doing internship, including my supervisor Rachel and boss Rosalyn.
Yuto
The most interesting and toughest task I did was creating a presentation at university. I learned about how to make presentations at my university in Japan though this was my first time to make presentation in front of native english speakers. I tried to think about what they will be interested in through our presentation to make sure they will listen to it. When we did our presentation, most of the audience listened intently. Also I was able to make them laugh during my presentation. I was really satisfied with the results.
During internship here, the most interesting and meaningful things that I learned was human relationship. Based on my friend's story, when you work at business situation, most of your task will be based on computer. However, at NPO, our work will be fundamentally based on human relationships. I had lots of opportunities to talk with many diverse people, for example, professor, university students, photographer and senior citizen. I found it really interesting to communicate with people and I hope I can get a job where I can meet many kinds of people.
In the end, I can definitely say this internship influenced my future career. I would like to say thank you to all the people who helped me doing internship, including my supervisor Rachel and boss Rosalyn.
Yuto
Friday, August 5, 2011
Last Ever Day at NJAHS
This is it! Here we are, on the last day at NJAHS. Final project, and now ninterns give yourself a pat on the shoulder. Its been fun, learned so much, and met much people. At least I know when I leave here, I left with something extra. I remember it was just the first day and I was shaking Rachel's hand. Now its at the end point where we soon will say our goodbyes. On to our last point with the video project of how to use 20$ in Japantown, we filmed our parts enjoying every little bit of it, and now just gotta put everything together. Memories built, new bonds, and new experiences. Make the last of it. Wooot feels like graduation. And so on..
Hanging with the other interns
Yesterday was intern day. For intern day, the Nikkei Community Interns got together and wnet around japantown. We got a tour by Steve Nakajo of japantown "back in the day" which was cool. He talked about how all the houses in the neighborhood were Japanese owned. We worked on our dance routine for the closing luncheon. Then we were served bento for lunch. All in all, it was a very relaxed day, but it was good to see everyone.
Ken Matsueda
NJAHS Intern
final day for high school interns
Today is their last day! Boo hoo!!! To celebrate we're gonna get our 20 dollars in Japantown video done. Woot woot, can't wait to watch the final product, it'll be pretty fantastic.It's been great, since Alvin is talking about me and Ken, I'll talk about him and the other interns.
Alvin: It was a pleasure working with you, you bring energy and excitement to NJAHS. Thank you for all of your hard work, punctuality, cooperation. You definitely are a great worker and have an AMAZING personality.
Eric: Thank you so much for being a great listener and worker. I really hope you got something out of this internship, I know at times you felt like you didn't, but just take a moment to think about all that happened this summer. You performed in front of 300+ kids, conducted a tour of Japantown, made a movie in 3 days, and learned how to budget $20 dollars and documented it. You should be very proud of yourself, don't let anyone tell you otherwise.
Luis: You are an incredibly dedicated worker, it doesn't go unnoticed. You are a self starter and won't give up until a project is done, even if it requires extra time. You have proven resilient even when our projects got turned upside down. Thanks Luis for being a loyal and dedicated intern.
[Alison]
Thank You NJAHS
Today is the last day of my internship at NJAHS. In my time in NJAHS, I have learned and did many new things. I performed in the Yosakoi Concert in front of hundreds of kids, gave a tour in Japantown, and made a movie about myself. I worked with two college interns, Ken Matsueda and Alison Sunahara, and worked with two other high school interns like myself, Eric Liu and Luis Lin. I also worked with Rachel Inouye and Rosalyn Tonai, my supervisors. It was great working with everyone in NJAHS because it wouldn't have been fun without them. They all taught me something and I want to thank everybody in NJAHS for everything. I'll always remember and cherish the memories I had with them.
-Alvin Tan
Wednesday, August 3, 2011
Making a video
$20 budget to spend in Japantown. What can you do that won't make you go bankrupt? The interns and I made a video to let people know a way to spend time in Japantown with a reasonable budget. We went to Yakini Q, we danced across the street, and took pictures by the Osaka Castle. So we learned that there is a lot to do that is not that expensive.
Ken Matsueda
NJAHS Intern
Tuesday, August 2, 2011
20 dollars a day in Japantown
Yesterday was the start of our final project, $20 a day in Japantown. This is a great last project that seems like it'll be a lot of fun to do with the guys. We figured out what we're gonna buy and from where. We developed the script and budget, so today when Max Nihei gets in we will start filming. This is going to be a lot of fun.
I am also excited to go visit the places, yesterday we went into many stores and checked out a few things. We went into YakiniQ on Post St. it is a Korean cafe that is inspired by French cuisine. So Luis and I were in there looking around and I think it was the owner who was really helpful and friendly. I asked her about what is good and popular here, she said the matcha latte is good and their original sweet potato latte?!?!? Yes, you heard me right, it is a sweet potato puree with cream and all that good stuff mixed together for pure goodness. I got a free sample and boy I got it yesterday, but I'm still hyped up about it. Plus the interior is so peaceful and relaxing. It was a really nice place that I would love to hang out at. The only thing is, it opens at 11 am, which is so incredibly late for me. But if I am ever in Japantown late at night, there is a good bet it'll still be open because it closes at 10pm. So I'm excited to go back today.
[Alison]
I am also excited to go visit the places, yesterday we went into many stores and checked out a few things. We went into YakiniQ on Post St. it is a Korean cafe that is inspired by French cuisine. So Luis and I were in there looking around and I think it was the owner who was really helpful and friendly. I asked her about what is good and popular here, she said the matcha latte is good and their original sweet potato latte?!?!? Yes, you heard me right, it is a sweet potato puree with cream and all that good stuff mixed together for pure goodness. I got a free sample and boy I got it yesterday, but I'm still hyped up about it. Plus the interior is so peaceful and relaxing. It was a really nice place that I would love to hang out at. The only thing is, it opens at 11 am, which is so incredibly late for me. But if I am ever in Japantown late at night, there is a good bet it'll still be open because it closes at 10pm. So I'm excited to go back today.
[Alison]
The Final Week
Time has passed and its the last week at NJAHS being a nintern. Its been fun and a enjoyable experience. We are on our last part on our duty, and that is making a 20$ video in Japantown. Its basically us ninterns explaining a way to conserve and use a minimum amount of money on materials or anything that might be usful to anyone. We're doing our script, rehearsing, and now we're prepapring the last event. At the end, we''ll see our accomplishments and what we've gained being in NJAHS.
- Eric
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